Arts and Lectures — Past Exhibits and Events
Since 2001, the University Library has hosted over 150 art exhibits, lectures, and other public events as part of our Arts and Lectures Program. We regularly host events in honor of Constitution Day, Banned Books week, and voting rights and voter registration. Find out more about the events, exhibits, and lectures we've hosted.
What is the wilderness? Why do we label an area “natural” or “wild,” or not? Local parks like Annadel and Armstrong Woods tend to be idealized as “natural” landscapes, but they have long histories of human use and management. Conversely, cattle pastures or vineyards, or suburbs for that matter, are categorized as “not natural,” yet contain many species and ecological functions that tend to get overlooked through that labeling.
Wild(er)ness brings together the work of four artists—Pamela Glasscock, Peter Hasen, Tony King, and Laura A. Watt—each with a unique perspective on the meaning of wilderness.
The show will be exhibited in the University Library Art Gallery from November 13, 2016 – January 5, 2015.
CLOAK: Iterations of a Draped Figure
This exhibition featured CLOAK: Iterations of a Draped Figure, by Frank Ryan. Ryan received his BFA from Sonoma State University and his MFA from UC Los Angeles. The works in this exhibit were inspired during Ryan's time at the Chalk Hill Artist Residency.
Decision Driven: Works on Paper
Out of the Box: New Work from a New Generation
This exhibition featured artworks created by 18 students enrolled in the course, Art: Theory and Practice, an advanced seminar course offered through the Art Department at SSU, discussing current topics in contemporary art and the exploration of methods and materials outside students’ usual medium.
From Death to Life in Ancient Bahrain
From Death to Life in Ancient Bahrain gave visitors a close-up view of remains from these burial mounds, as well as insights in the archaeological processes used in recovering and reconstructing ancient life.
Shane Weare: Prints
This exhibition featured etchings and lithographs by Shane Weare, some made while he was teaching Printmaking in the Art Department at Sonoma State University from 1971 to 2000. The artists noted that the idea of round spheres were prevalent in the seventies and this is reflected in his art.
Or The Sea: Experiments in New Media
This exhibition featured works by SSU art students as part of the ArtS 498: New Media course. Using variety of contemporary media, including sound, video, digital photography and performance, the artworks in Or The Sea look at water from a variety of angles, ranging from its physical characteristics, its political repercussions to its religious symbolism and poetic metaphor.
The course and the exhibition were part of the yearlong campus wide initiative, Water Works, which explores inland water flow as a resource, theme, and metaphor, through a year (2012-2013) of academics, fine arts, and live theatre and dance.
Reflections of the Earth and Tradition: Contemporary California Indian Art
The exhibition Reflections of the Earth and Tradition: Contemporary California Indian Art displayed the work of twelve artists of California Indian ancestry.
Agents of Change: Artists As Activists
- The Guerrila Girls
- Art Hazelwood
- Better Nobue Kano
- Doug Minkler
- Michelle Wilson
Excel for Youth
A retrospective exhibition celebrating 30 years of learning EXCEL for Youth, a program of the School of Extended Education, is a unique academic enrichment program that offers students entering 4-9th grades accelerated classes in science, math, technology, visual art, drama, and writing. Since its inception in 1982, EXCEL has grown from a schedule of 14 choices to offering over 50 innovative classes a year on the campus of Sonoma State University.
Diverse-City was an exhibition showcasing the work of student artists who are part of the diverse community found at Sonoma State University. It included art which centers around themes of gender, race, or ethnicity. These emerging artists used the University Library Art Gallery as a forum to share their work with the rest of the University and Library visitors.
XX: Woman, Art & Science
In the art exhibition on view in the Library Art Gallery XX: Women, Art, & Science six women, all Bay Area artists, present work that typifies their explorations into the scientific world. The exhibition characterizes each artists’ unique vision and showcases a wide range of works from prints to paintings to sculpture created from such diverse materials as ink, acrylic, mixed media, rubber, and thread.
Untitled: Sonoma County Abstraction
Untitled: Sonoma County Abstraction presented several paintings and sculpture by some of these pioneers, along with a larger selection from their artistic heirs who continue to create a wide range of thoughtful, stimulating, and distinct abstract imagery.
Metamorphosis featured the artwork of eleven Sonoma County artists, including five SSU students.The works shown ranged from paintings to three-dimensional work to photography to works of mixed media. Artists included were Kyle Alexander Jenny Braun, Michael Coy, Ted Farber, Don Fluitt, Rebecca Guarda, Kevin Jaffe, Pauline Levy Lazzarini, Katie Pierce, Catherine Poloynis, and Sally Weare.
Metamorphosis has a variety of connotations, ranging from the sudden change from human to insect as in Franz Kafka’s novella, Metamorphosis, to the biological process insects undergo during their lives to simply the concept of change. The artists in the exhibit have each interpreted metamorphosis in a unique way – challenging our understanding of change and biological processes that bring about change.
Crossing the Invisible Line: The Art of Immigration
University Art Gallery and Department of Art and Art History presented Crossing the Invisible Line: The Art of Immigration. The exhibition looked at the complex issue of immigration from a variety of perspectives, including paintings, prints, photographs, and sculpture by contemporary artists along with historical documents and artifacts from regional museums.
Mandala Sand Painting
From all the artistic traditions of Tantric Buddhism, that of painting with colored sand ranks as one of the most unique and exquisite. Millions of grains of sand are painstakingly laid into place on a flat platform over a period of days or weeks to form the image of a mandala. To date, the monks have created mandala sand paintings in more than 100 museums, art centers, and colleges and universities in the United States and Europe.
The mandala sand painting began with an opening ceremony, during which the lamas consecrate the site and call forth the forces of goodness. This is done by means of chanting, music and mantra recitation, and was held on Monday, April 11. Traditionally most sand mandalas are destroyed shortly after their completion. This is done as a metaphor for the impermanence of life. This closing ceremony was held on Thursday, April 14.
Miracles on the Border: Folk Paintings of Mexican Migrants to the U.S.
Miracles on the Border: Folk Paintings of Mexican Migrants to the U.S. was a powerful exhibition of Mexican retablos that are both fascinating artworks and compelling sociological documents. Collected by Drs. Jorge Durand, University of Guadalajara, and Douglas Massesy, Princeton University, as part of an ongoing study of Mexico-U.S. migration, the retablos displayed in this exhibit express the most prominent concerns of the immigrants who dedicated them, giving us direct Mexican perspectives on migrations.
Retablos are Mexican folk paintings dedicated to the Virgin, Christ, and saints in thanksgiving for a miracle granted or favor received. The retablos in this exhibit were presented to religious shrines in Mexico by immigrants or by their families to commemorate a miraculous event or experience associated with migrating or living in the United States.Created by untrained popular artists or the migrants themselves the retablos in Miracles on the Border represent work from as early as 1912.
This exhibit was part of the Immigration: Humanity on the Move series and has been made possible through a generous grant from the Pew Charitable Trusts. SSU contributors to the event include Associate Student Productions, Multi-Cultural Center, and Residential Life. Other campus partners instrumental in bringing this exhibit to campus are Department of Chicano and Latino Studies and the University Library.
Four Approaches: A Student Curated Exhibition
Four students from Sonoma State University's BFA program displayed their work and selected work of their peers in a group exhibition in the University Library Art Gallery at the Jean and Charles Schulz Information Center located at Sonoma State University. The exhibition opened on November 15th, 2010 and ran through January 12, 2011. Works included in the exhibition was a sampling of the four disciplines taught SSU's Art Program: Sculpture, Photography, Works on Paper, and Painting. The four primary exhibitors and curators are Wyatt Amend, Brianna Salm, Michell Follett, and Megan Hillard.
the message and the medium: the library turns 10
Libraries have long been valued as places where people come seeking knowledge, be it in the form of books, journals, maps, documents or, more recently, through films, videos, and other types of electronic and digital media. Visual art is another form of information-and, one could argue, another kind of knowledge-and artists are among those who see libraries as indispensable sources of both information and inspiration. On the occasion of the University Library's 10th anniversary, the University Library Gallery presented the exhibition The Medium and the Message: The Library Turns 10, which is intended as a sort of contemplation on the transmission of information in its myriad forms as seen through the eyes of the nine participating artists: Rebeca Bollinger, Brooke Holve, Mary V. Marsh, Matt Mullins, Alan Rath, Tim Rollins, Jason Shiga, Mickey Smith, Xiaoze Xie.
Past Present Future: Artists Reflect On Sustainability
Based on a call for entries seeking Bay Area artist's interpretation on the theme of sustainability, ten artists were selected by students from Michael Schwager's Curatorial Practices class. The ten artists were: Steven Allen, Bobette Barnes, Dillon Crossman, Art Hazelwood, Joan Hoffman, Leah Korican, Julia Nelson-Gal, Fred Vedder, Anneliese Vobis, and Megan Weirich.
The exhibit was the culmination of series of lectures and exhibits exploring the meaning of sustainability from different disciplines. The word sustainability brings to mind numerous meanings in today's society as evidenced by the wide-range of approaches of art works included in the exhibit. From ceramics and sculpture created using found objects, including the Yellow Pages, to wall hangings and 3-dimensional objects created from recycled wool sweaters these ten artists each bring a distinctive perspective in exploring the meaning of sustainability.
Field Days was based on Raskin's newest book FIELD DAYS A Year of Farming, Eating, and Drinking Wine in California which chronicles the renaissance infarming organically and eating locally that is unfolding in Northern California. Jonah Raskin tells of the year he spent on Oak Hill Farm - working the fields, selling produce at farmers' markets, and following it to restaurants. The exhibit highlights his experience with photos by Paige Green from Petaluma and Candi Edmondson of Oak Hill Farms. Also on exhibit are materials from the Unversity Library's Special Collections and items on loan from the Sonoma County Museum.
"I Think I See What You Mean by That"
"I Think I See What You Mean by That" consisted of ten sculptural installations by emerging Sonoma County sculptors.
Ten talented young sculptors, under the direction of Professor Jann Nunn, explored the art of alchemy and its relationship to the development of their work. The works were constructed of natural and synthetic materials that the artists manipulated or otherwise transformed into provocative, fanciful, disturbing, or maddening installation pieces. Each piece in the exhibition varied greatly in the use of materials, concepts, and technique just as each artist differs in personality and approach to their own studio practice.
Live-Dance-Paint: Works by Ceija Stoyka, Romani ("Gypsy") Artist
Live-Dance-Paint was on view from August 17, 2009 - October 30, 2009 and featured works by Ceija Stojka, a prolific, self-taught artist who depicts her life as a traveling Romani woman before and after World War II, the trauma she and other Roma experienced in the Nazi concentration camps of Auschwitz, Ravensbrück, and Bergen-Belsen, and the hope she has for future generations to overcome oppression.
Juried Black and White Photography Exhibit for High School Students
Zone of Focus was a juried photo exhibition and contest for high school students sponsored by the Santa Rosa High School photography program, the Arts Council of Sonoma County and the Friends of ArtQuest. Several hundred black-and-white submissions from Bay Area students were judged by a panel of prominent artists and professionals in the field of photography. The design and installation of this exhibit was done by the students from the spring 2009 SSU Museum and Gallery Methods class.
Interrupted Life: Incarcerated Mothers in the United States
Hidden Treasures: Selections from the SSU Art Gallery Permanent Collection
Many of the 16 artists shown are household names - Picasso, Miro, Kandinsky; others are names known to those more familiar with 20th century art history - Dubuffet, Appel, Bellmer; and many others are renowned Bay Area artists - Morehouse, De Forest, Linhares. These works have come to the SSU Art Gallery from generous donors - some who have been collectors their whole lives, some who have donated one piece, all of whom believe in public education and access to art.
Fresh Starts: SSU Painting Students
Fresh Starts featured the work of students from the advanced painting class under the direction of Mark Perlman, Professor of Painting in the Art and Art History Department. One painting from each student was displayed along with an artist statement and photograph, taken by Perlman, of each student in their studio. The subject matter from each artist is as unique as the themes they are exploring.
For example, Emily Hoeck's "Sweet Servings" oil on panel depiction of a pie ignites the more than viewer's senses. "For inspiration I simply look to indulgences and the sweet foods that people generally cannot resist," says Hoeck.
I Express . . .
"I Express..." explored themes SSU students identified as important in the current election cycle—themes such as war and the environment. Participating artists were selected by the spring 2008 Gallery and Museum Methods class and included: Katy Anderson, Allegra Burke, Nuala Creed, Rob Keller, Thomas Pratt, Mario Uribe, and Nancy Worthington.
The University Library regularly collaborates with the Museum and Gallery Methods class, taught by Art History Professor Michael Schwager, providing students an opportunity to work on all aspects of the creation of an exhibition.During the spring 2008 semester the class of 12 students was charged with developing an exhibition that could fit within the It Matters! Engage. Participate. Vote.program.The only other criteria they were given was to find North Bay artists.The class selected the title and theme of "I Express . . ." not only to present ideas about many of the political issues concerning students but also to explore the meaning of the expression of political opinions.
Gráfica Contemporánea de México/Contemporary Prints from Mexico
Gráfica Contemporánea de México/Contemporary Prints from Mexico featured the work of thirteen emerging, mid-career, and established printmakers from Mexico: René Hugo Arceo, César Chávez, Oscar Camilo de las Flores, David Dominguez, Demián Flores, Fernando Aceves Humana, Fulgencio Lazo, Juan Alcázar Mendez, Dario Ramirez, Artemio Rodriguez, Francisco Toledo, Berenice Torres, and Alejandra Villegas--artists whose work is as contemporary as it is diverse. Prints include linocuts, lithographs, aquatints, serigraphs, etchings, and even screen prints on skateboards!
The concept of Gráfica Contemporánea de México is to highlight various ideas and styles being expressed in contemporary graphic arts from Mexico. Although work in the exhibition is diverse, the expressions are unified by a long tradition of printmaking which is reflective of the culture and history of Mexico.
Charlotte Salomon - Life? Or Theatre?
This exhibit features the work of German-Jewish artist Charlotte Salomon (1917-1943), who grew up as the daughter of a surgeon and a singer in Berlin. The Nazi takeover in 1933 changed the family's situation drastically, and Charlotte Salomon escaped in 1939 to her grandparents, who had already sought refuge in Southern France. Hiding in Nice, Salomon created an unusual autobiography through more than 1300 paintings that were created within 18 months between 1940 and 1942. Salomon decided to include 769 in her work that she entitled "Leben? oder Theater?" In 1943, the Nazis deported her to Auschwitz, where she was murdered upon arrival. She was 26 years old. Before her arrest she gave her complete work to a friend reminding him: "Please keep this safe: C'est toute ma vie! This is my entire life."
This project is made possible, in part, by the Goethe-Institut San Francisco, Center for the Study of Holocaust and Genocide, SSU Department of Modern Languages and Literature, SSU German Club, Alliance for the Study of the Holocaust, and the University Library Associates.
Paper Progress is an exhibition highlighting student works on paper. The Sonoma State University Art Department recently added an exciting new emphasis to their curriculum, Works on Paper. This emphasis includes photography, digital imaging, printmaking, and drawing. The works amassed in this exhibition demonstrate the enormous possibilities for new ideas and visual communication incorporating paper as a substrate. This exhibition also displays the Art Department's tremendous talent and motivation among their studio art majors.
A Fine and Long Tradition: Stories from the Contemporary Women's Movement in Sonoma County
The stories of women involved in the contemporary women's movement as it played out in Sonoma County from 1960 to 1985 was the subject of a new exhibit at the Sonoma State University Library Art Gallery from August 15-September 28. A Fine and Long Tradition: Stories from the Contemporary Women's Movement" was funded by the California Council for the Humanities "California Stories Initiative" and was coordinated by Michelle Jolly, SSU Professor of History.
The Spirit of the Dream
"The Spirit of the Dream" featured the work of thirty-six artists from Northern California and all over the United States and Canada who create art inspired by dreams. The works chosen represened a wide range of approaches to art-making and to dreams, and include paintings, drawing, collage, photography, sculptural objects, and artist books. Works ranged from representational to abstract, based on a specific dream, or a series of dreams, or a more complex interaction of dreaming and waking source material.
Change Channel by Phil Bekker
Phil Bekker was the recipient of the Edward C. Boyle Scholarship, which provided him the opportunity to study art in France. During his time, he moved away from painting to working with digital video. On exhibit were Bekker's video projects.
Life in Bold Colors: Haitian Art from the Collection of Patrick Jamieson
This exhibition ran March 12 - April 27, 2007, not only featured the works of sixteen Haitian artists but also depicted the unique interests of a specific collector, Patrick Jamieson, of Novato.
Many of the works shown in "Life in Bold Colors" were created with vivid colors -- an ironic contrast to the turbulence in Haiti over the last century.
Cultural Art Exchange: The Global Experience
The Sonoma State University Library Art Gallery presented the exhibition Cultural Art Exchange: The Global Experience. The exhibition was organized by students enrolled in the Gallery and Museum Methods class, under the direction of Professor Michael Schwager.
Cultural Art Exchange: The Global Experience presented the work of eleven student artists from around the world who have traveled to (and from) Bay Area colleges and universities for the purpose of studying art. The goal of the exhibition was to provide a forum of exploration on the effects of how international travel and cultural exchange has inspired the artists and their work.
The Grass Family (Gramineae) work by Wopo Holup in collaboration with Lew Minter
"The Grass Family" consists of 164 panels, which were the result of Holup's 1999 commission by the New York Dept. of Transportation to create a large-scale public art piece for the Brooklyn-Queens Expressway (BQE); thus Holup created "Common Ground" a monumental granite sculpture covering the expanse of the BQE underpass. It was through the process of transforming original drawings to granite for "Common Ground" that Holup began experimenting with digital imaging. Her experimentation resulted in the creation of a second art piece "The Grass Family (Gramineae)," which was on display in University Library August 15 to November 12, 2006.
SSU Commemorates 100 Years Of Quake History With "The 1906 Earthquake:Sonoma Stories"
It became known as "The Great Quake of 1906." April 18, 2006 marked the centennial anniversary of the 1906 San Francisco earthquake. In commemoration of this event, Sonoma State University Library Art Gallery hosted the exhibition "The 1906 Earthquake: Sonoma Stories".
The exhibit featured items from the University Library collections. The photographs used were primarily vintage prints from the Henry A. Hoyt Earthquake Photograph Collection. The newspaper articles and letters came from a variety of special collections including the Gaye LeBaron files, which are filled with rich resources on the history of the county. Some items in the exhibit came from other special collections such as the Leopold Justi collection and the Jack London collection.
Melanie Kent Steinhardt: The Life and Art of an Émigrè
Melanie Kent Steinhardt was an aspiring Bohemian Jewish artist who left Europe in 1939 and finally settled in California in 1941. This diverse and compelling collection of compositions, portraits and landscapes blends European Expressionism with an émigré's troubled impressions of two World Wars, a woman's place in a male dominated world, and her new life in America.
The artist's residency in Inglewood, amid the burgeoning military industrial complex of 1940s Southern California, informed some of her most compelling work, and provided her an opportunity to reconnect with her estranged family.
Using the University Library as a starting point, "Bibliothèque" included a broad spectrum of student responses to the idea of "what is a library today?" and more specifically "what is our University Library in particular?" Some artists started with the architectural structure of the building itself, while others concentrated on its mechanical systems. Still others focused upon books themselves, either the physical design or their nature as repositories of knowledge. The notion of the library as social space was examined, from the group experience to the individual.
To create the works in the exhibition, students were given wide latitude in their approach to the subject matter and great access within the University Library. The photographs exhibited in "Bibliothèque" provide a fine sample of various approaches to a singular photographic subject, from the formal to the conceptual, from the traditional to the experimental.
Worth a Thousand Words: the Book as Image
Although libraries are no longer simply storehouses of printed materials, it is still true that when people hear the word library, the image that most often comes to mind is the traditional building filled with books. Worth A Thousand Words: The Book as Image looks at the book objectified, its message not revealed by the text on its pages but by its very image.
Curated by library staff member and ITDS graduate student Darren Sargent, Worth a Thousand Words: the Book as Image exhibited the work of both two and three dimensional artists who have created work objectifying the book and in so doing make it an aesthetic or conceptual component in their work. In the works presented, the artists did not use the book to convey information with written language or series of images on successive pages; instead, each artist used the image of the book itself as the conveyor of communication.
Studio Stories: Narratives in Two Dimensions
Members of Professor Michael Schwager's Spring, 2005, "Gallery and Museum Methods" developed Studio Stories: Narratives in Two Dimensions. The work in Studio Stories was created by Sonoma State University art students, juried by students, and the exhibition designed and installed by students. The student curators worked to collectively present the artists' individual stories and yet meld them into one cogent exhibition and ultimately an interesting anthology.
Survivors: A Personal Journey
Sonoma State University Library art gallery presented a photographic exhibit by Dr. Phil Rasori entitled Survivors: A Personal Journey. The exhibition featured 35 large, color photographs of indigenous peoples who have survived ethnic, political, or religious persecution. "Survivors: A Personal Journey serves as both a witness and protest to what they have endured," said Rasori."It also is a celebration of the courage of the survivors who, despite the nightmares, the flashbacks, the memories of loved ones still missing, have the will to go on and preserve their traditions and culture for their children."
Artist or Politician?
Artist or Politician? opened August 16 and ran until October 15, 2004. This exhibit chronicled 35-years of Darling's pro-bono political action in the context of his other works. While the exhibit included examples of his early public works, such as urban acupuncture, his involvement in Mail Art, and examples of his ongoing series Hollywood Archaeology, it highlighted his political campaigns including his 1978 gubernatorial campaign against incumbent Governor Jerry Brown.
The University Library Art Gallery and the Art Department at Sonoma State University presented Outcast, an exhibit juried by SSU advanced ceramics students and featured the works of SSU art students.
In celebration of Women's History Month, The University Library Art Gallery at Sonoma State University, in conjunction with the Women's Resource Center, presented "Four Sculptors." Work by four international women artists, Gigi Janchang of Taiwan, Kyunghee Lee of South Korea, Jann Nunn of the United States, and Ulrike Palmbach of Germany.
A Way of Seeing: An Anthropologist’s Eye
The University Library Art Gallery at Sonoma State University opened the spring semester with “A Way of Seeing: An Anthropologist’s Eye,” an exhibit of photographs by Professor Albert Wahrhaftig.
All of the images were taken in the town of Tepoztlán, Morelos, Mexico.
SSU Now showcased the work of 18 current Sonoma State University Art Studio majors working in a variety of media, including ceramics, drawing, painting, printmaking, photography and sculpture. Students from the Fall 2003 Gallery and Museum Methods course selected the pieces on display, designed the exhibit, and installed all the work.
Altars of Extinction
This exhibit was a beautiful and moving exhibit of altars to California species that, within the last one hundred years, have gone extinct.
The Obsessive Poetics of Collage
The exhibit featured the works of four artists: Jenny Honnert Abell, Sandra Ortiz Taylor, Pamela Kessler and Sherry Parker who use one of the contemporary art world’s more popular mediums: collage.
“Obsessive Poetics” offers the viewer a broad perspective on collage because each artist approaches the medium in a unique way. In defining this exhibition, the artists state, “this collection of work vigorously exemplifies the obsessive, poetic, symphonic and the absurd, all in the service of our goal of a liberating visual purity.”
synesthesia n. (sin´is-the´zh)
synesthesia n. (sin´is-the´zh), an exhibition of work by nine Sonoma County sculptors. These emerging artists began with the idea of exploring the artist’s relationship to current social events. What does it mean to be an artist-activist?
Thinking About Freedom: Works from the San Quentin Arts Program.”
The Thinking About Freedom exhibit is part of a campus-wide exploration of the concept of freedom. Inspired by Harry Belafonte’s “The Long Road to Freedom,” the idea was initiated by the Center for Performing Arts faculty, who have developed a multi-disciplinary production exploring this vast concept.
“We Want Freedom”
The title of the exhibit, “We Want Freedom,” is from the first three words of the Party’s Platform and Program of 1966. “We Want Freedom” displays over 40 black and white photographs taken from 1968 to 1970 at public events organized by the Black Panther Party in the Bay Area. The images tell the story of the events of the times beginning with the memorial march and rally for Lil’ Bobby Hutton who, at 16, was killed by Oakland Police, to the great May Day demonstration at the San Francisco Civic Center.
The University Library Takes Flight!
The University Library in the Jean and Charles Schulz Information Center at Sonoma State University celebrates the gift of over 900 books, donated by renowned ornithologist Charles Sibley and his family, with an arts and lectures series devoted to birds.
"A Passionate Journey: The Work of Pele deLappe"
DeLappe, a life long social realist, is a lithographer, painter, cartoonist, activist, and educator admired for her ability to capture human emotions, both poignant and comical, and the conditions from which these emotions arise. Now in her eighties and living in Petaluma, California, deLappe provides 21st century audiences a rare glimpse into the many intersections of art, politics, labor, and culture of the 20th century.
For more information about Pele deLappe's life and work, read "Love's Labor Won: Petaluma artist Pele deLappe's passionate journey" by Gretchen Giles in The Bohemian.
Virginia Woolf: Contexts Books and Ephemera
June 6 – August 2, 2002
Artwork by Marylu Downing
Visual Inquiries: Recent Works
Visual Inquiries: Recent Works features work by Jill Fitterer, The Edward C. Boyle Scholarship Recipient, April 8 – May 27, 2002
Concrete, Sticks, & Wire
February 4 – March 29, 2002
Mostly Sonoma County: Photographs by John LeBaron
November 12 –January 18, 2001-2002
Then and Now: The Growth of a University
October 8 – November 3, 2001
25 Years After the Running Fence: Celebrity, Canon, and Myth
September 3 – September 28, 2001
Turn the Corner: Recent Works of Nathan Jx
June 11 – August 20, 2001
In Florence and Paris: Recent Works of Frank Ryan, the Edward C. Boyle Scholarship Exhibition
April 9 – May 30, 2001
September 19: Constitution Day Discussion: Is the Constitution Under Attack?
Speakers: Eric Williams, Criminology and Criminal Justice & Richard Hertz, Political Science
Moderated by the Political Science Department
September 25: Green Party's candidate for President, Dr. Jill Stein
1:00 to 2:00 PM @ Evert B. Person Theater
October 2: An Unlikely Monument: The History of Sonoma State University's Vietnam Veterans' Memorial Grove
5:00 PM in Schulz 3001
Presented by James Bleifus and sponsored by the SSU History Department
October 3: Taxes and the Economy
Panel by the School of Business and Economics
Panel discussion lead by SBE looks at the economy and taxes in this election cycle. And how it really does impact you.
October 3: Prop 30 Info and Voter Registration Event
You only vote once!
Sponsored by Associated Students
October 10: Gender, Race, and Class in 2012 Elections
Panel by the Women & Gender Studies Department
Is there a war on women? Is this election about class? Does race fit play a factor? A panel sponsored by WGS will help answer these questions.
October 17: Deciphering the Ballot
Panel by Students from POLS 484
In addition to the Presidential election there are many important intiatives on the ballot. Students from POLS 484 will shed light on the most important ones.
November 7: Post Election Wrap Up: So what just happened and why?
Join Professor David McCuan as he moderates a panel of these distinguished Sonoma County politicos:
- Dr. Ruben Armiñana, SSU President
- Paul Gullixson and Jim Sweeney, Press Democrat
- Gabe Meline, The Bohemian
- Caroline Banuelos, SR City Council
SSU Library Celebrates Women's History Month
XX: Women, Art & Science
March 1 - March 31, 2012
University Library Art Gallery
Reception March 1, 2012 4:00 pm - 6:30 pm
Women and Science Lecture Series at Noon in Schulz 3001
- March 7:
Suzanne Rivoire, SSU Computer Science and Julie Silk, Executive Director Expanding Your Horizons
- March 14:
Lynda Williams, media performance artist and physicist a.k.a The Physics Chanteuse
- March 21:
Carmen Works, SSU Chemistry and Shona Mookerjee, SSU Biology
Immigration: Humanity on the Move
Generations upon generations of people from everywhere in the world have crossed national borders to find a better life, to escape tyranny and persecution, to share ideas. In a climate of inflamed rhetoric, fear, and misunderstanding we as nation of immigrants appear to be losing tolerance for immigration and immigrants. What does this mean for our lives?
This series Immigration: Humanity on the Move will explore many of the complexities surrounding immigration. Please join us. All events are free and open to the public. Discussions take place in Schulz 3001 at noon.
Kevin Johnson, Dean UC Davis Law School
Internationally recognized immigration expert Dean Kevin Johnson will open our series and frame some of the issues surrounding immigration.Dean Johnson has published extensively on immigration law and policy, racial identity, and civil rights. His book Opening the Floodgates: Why America Needs to Rethink its Borders and Immigration Laws (2007) has influenced the national debate over immigration reform. More information on Kevin Johnson.
2/23/11: Immigration 101
SSU Professors Patricia Kim-Rajal and Daniel Malpica, along with Maureen McSorley, Sonoma County Immigration Attorney, will lead a discussion on the topics to be discussed in the series as well as many of the current legal issues faced by immigrants in Sonoma County and California.
3/9/11: Global Impacts
David Bacon, national immigration expert and noted photographer will address some of the implications of what it means to be part of a society migrating across many borders throughout the world.
3/23/11: Community Services
Local community activists Deborah Roberts, SSU and Jewish Community Free Clinic, Chris Bell, North Bay Sponsoring Committee Susan Shaw, North Bay Organizing Project, Davin Cardenas, Graton Day Labor Center will discuss immigration issues from a grassroots perspective.
4/6/11: Economic Implications
SSU Professor Chong-Uk Kim, SRJC Professor Marty Bennett, and a representative from the Graton Day Labor Center will help us unravel some of the economics surrounding immigration from a macro and micro perspective.
4/27/11: Human Trafficking
Jennifer Lynne Musto from UCLA and Annie Fukushima, The SAGE Project, Inc. will discuss this all too real and frightening topic affects not only people throughout the world but also in our own backyards. These speakers will help us understand the implications of human trafficking and shed some light on ways to help eradicate this injustice.
- University Library
- Department of Chicano and Latino Studies
- Associate Student Productions
- Department of Modern Languages and Literatures
- Department of Theater Arts
- Multi-Cultural Center
- Residential Life
Jean and Charles Schulz Information Center 10th Anniversary Lectures
September. 29, 3:30pm - 5:30pm, Library Art Gallery
Michael Schwager, Professor Art History & Director SSU Art Gallery
Gallery Talk, The Message and The Medium: The Library Turns 10
October. 13, 3:30pm - 5:30pm, Schulz 3001
Dale Dougherty, editor of Make and longtime O'Reilly Media guru, has provocative ideas about education and what it should be. He will talk about Hands-on Literacy and the Future of Libraries.
October 20, 3:30pm - 5:30pm, Schulz 3001
Roy Tennant, expert on library and information technologies, and founder of several online communities, will shake up our views on digital directions.
October. 13, 20, 27, Noon, Schulz 3001
Talks on Texts 2, New SSU faculty reflect on meaningful "texts"
October 13 - Alexis Boutin, Anthropology; Carlos de Villasante, Art; Joe Marquez, Library
October 20 - Rebecca Bryan, Kinesiology; Ajay Gehlawat, Hutchins
October 27 - Laura Naumann, Psychology; Suzanne Rivoire, Computer Science
Lecture series exploring meaning and issues around sustainability
March 3 - Jonah Raskin, Communications Dept. and Guests discuss Raskin's book Field Days: A Year of Farming, Eating, and Drinking Wine in Northern California
March 10 - Sascha von Meier, Environmental Studies and Planning and Karina Nielsen, Biology
March 17 - Debora Hammond, Hutchins and Jeff Baldwin, Geography
Siquieros and the Mexican Mural Movement
On April 28, Tony White, OLLI instructor and Professor Emeritus, History, will discuss his recent book, Siquerios, Biography of a Revolutionary Artist, and make a slide presentation on "Siquerios and the Mexican Mural Movement" at noon in the Cooperage, followed by a book signing.
David Alfaro Siqueiros (1896-1974) was a revolutionary artist and lifetime activist whose biography reads like an epic novel. A founder of the Mexican Mural Movement and one of the great artists of the twentieth century, he painted murals in Mexico, Los Angeles, Chile, Cuba and Argentina, several of which provoked censorship. Critical of trends in modern art, he challenged fellow artists in journals which he published. In his search for a modern realism, he explored the use of new materials, techniques and equipment, which he corporated into his art. His final project, the largest mural ever painted, integrated architecture, sculpture and mural painting.
Radicalized by his experiences in the Mexican Revolution, he organized miners, commanded front-line troops in Spain and led an armed assault on Trotsky's headquarters in Mexico City. He was imprisoned for militant activities in Mexico and was exiled or deported from Mexico, the United States, Argentina and Spain. Sentenced to eight years in prison in 1960, he painted several hundred canvases before his release in 1964. Because he expressed his views on contemporary issues, and was linked to major figures in art and politics, his life story reads like a capsule history of modern Mexico and the twentieth century, complete with intrigue, adventure and romance.
It Matters! Engage. Participate. Vote
Sonoma State University is pleased to announce a unique and timely collaborative program for the fall 2008 semester titled It Matters! Engage. Participate. Vote. Coordinated through the University Library, the program is designed to provide students, faculty, staff and the community an opportunity to explore together many of the hot issues in the November election. It Matters! Engage. Participate. Vote. features art exhibitions, brown bag discussions, class projects, and voter education events.
Wednesday, September 17 at noon in Schulz 3001 (Constitution Day)
War and the Economy -- moderator David McCuan, Associate Professor, Political Science Department
- Paul Gullixson, Editorial Director, Press Democrat
- Steve Cuellar, Associate Professor, Economics Department
Wednesday, September 24 at noon in Schulz 3001
Oil and Energy
- Jeff Baldwin, Lecturer, Geography Department
- Sascha von Meier, Professor, Environmental Studies and Planning Department
Wednesday, October 1 at noon in Schulz 3001
- Laura Watt, Assistant Professor, Environmental Studies and Planning Department
- Caroline Christian, Assistant Professor, Environmental Studies and Planning Department
Wednesday, October 15 at noon in Schulz 3001
Pre-Election Ballot Discussion. Presented by students from the Political Science Department
Wednesday, October 22 at noon in Schulz 3001
Race and Gender
- Catherine Nelson, Professor, Political Science Department
- Don Romesburg, Associate Professor, Women's and Gender Studies Department
Wednesday, October 29 at noon in Schulz 3001
- Daniel Malpica, Assistant Professor, Department of Chicano and Latino Studies
- Patricia Kim-Rajal, Assistant Professor, Department of Chicano and Latino Studies
Wednesday, November 5 at noon in Schulz 3001
Post Election -- moderator David McCuan, Associate Professor Political Science Department
- Ruben Armiñana, President, SSU
- Pete Golis, Columnist and Blogger, Press Democrat
Let's Talk About It: Jewish Literature Reading and Discussion Series
The University Library at Sonoma State will host a free, five-part reading and discussion series called Let's Talk About It: Jewish Literature - Identity and Imagination. The series, which will take place during the fall semester, explores Jewish literature and culture through scholar-led discussions of contemporary and classic books on the theme "Between Two Worlds: Stories of Estrangement and Homecoming."
The University Library is one of over 250 libraries nationwide receiving grants to host the series developed by Nextbook and the American Library Association (ALA). Local support for the series is provided by SSUís Center for the Study of the Holocaust and Genocide, Hillel of Sonoma County, and the Santa Rosa Junior College Library - Petaluma campus.
"We are thrilled to have been selected to host this unique series that will allow people a chance to participate in discussions on themes in Jewish literature. It is a great opportunity for students and community members to share in close dialogue - all under the guidance of our dedicated scholar, Anne Goldman, from the SSU English department," said Karen Brodsky, University Library Arts and Lectures Program Director.
Each program will begin with a brief lecture by Professor Goldman, after which participants will exchange their own responses to and ideas about the featured reading. Participants will have access to each book, so participation is limited.The first program will explore Exodus, the Second Book of Moses, and will be held on September 25 from 12:00 pm to 2:00 pm in room 3001 of the University Library. The remaining books and dates are as follows: Lost in Translation by Eva Hoffman on October 2, 2008; Moacyr Scliar's The Centaur in the Garden on October 30, 2008; Allegra Goodman's Kaaterskill Falls on November 13, 2008 and Out of Egypt by André Aciman on December 4, 2008.
Sonoma State Professor Anne Goldman teaches 19th and 20th century American literature in the Department of English. Her most recent work includes an essay on the author Saul Bellow and an assessment of the work of Mark Rothko and Marc Chagall. Her current book project, Worlds of Light: Jewish American Culture in the Twentieth Century, was funded by a National Endowment for the Humanities grant in 2006.
Citizens Of The World: On Common Ground?
Central and South America
02/15/07 Thursday, Noon
03/01/07 Thursday, Noon
03/15/06 Thursday, Noon
"Will Russia Still Exist in 2107?"
03/29/07 Thursday, Noon
Tania de Miguel Magro
04/19/07 Thursday, Noon
05/03/07 Thursday, Noon
"The Local Meets the Global: The Battle for Not-So-Scarce Resources"
Weapons of Mass Destruction and Global Climate Change
Lynn Cominsky, Astronomy & Physics
Citizens of the World: On Common Ground?
Keynote Speaker: Thursday, September 28, 2006 at 4:00 p.m. - 5:30 p.m.
Near Death Experiences and Time Machines: A Journalist's Tales
Robert Rosenthal, Managing Editor of the San Francisco Chronicle
09/28/06 Thursday, Noon
10/05/06 Thursday, Noon
10/12/06 Thursday, Noon
10/19/06 Thursday, Noon
11/02/06 Thursday, Noon
11/09/06 Thursday, Noon
Thursday, 11/30/06 Noon
Globalization and Its Discontents:
08/15/06 - 10/29/06
The Grass Family (Gramineae)
11/10/06 - 01/05/07
Kaleidoscope: International Art Students' Work from Bay Area Sights Curated by SSU Students
Talks on Texts was a series of Wednesday noon-time lectures in room 3001.The idea, brought to us by Jonah Raskin (Professor of Communication Studies at SSU), was a series of short (15 - 20 minute) talks by SSU faculty members about the 'texts' that have transformed them and inspired their lives.Faculty from across campus to participate, giving them wide latitude for selecting their specific text.
- Lynne Morrow, MusicDepartment
Stephen Sondheim's A Little Night Music based on Ingmar Bergman's Smiles of the Summer Night.
- Steve Estes, History Department
Carnival of Fury: Robert Charles and the New Orleans Race Riot of 1900 by William Ivy Hair and Evil Empire by Rage Against the Machine.
- Beez Schell, Kinesiology
A League of Their Own - with supporting texts about women athletes
- Mike Ezra, AMCS
Autobiography of Malcolm X
Sept 28 2005 View Archive: Paula Lane and Thaine Stearns in Windows Media Player
- Paula Lane, Education
Moby Dick Cracks Me Up
- Thaine Stearns, English
"Parenthesis," the 1/2 chapter from A History of the World in 10 1/2 Chapters by Julian Barnes and W.H. Auden's poem "September 1, 1939"
Oct. 5 2005 View Archive: Paul Draper and Sherri Anderson in Windows Media Player
- Paul Draper, Theater Arts
Ali and Nino: A Love Story by Kurban Said
- Sherri Anderson, Accounting
A Town Like Alice by Nevil Shute
Oct. 12 2005 View Archive: Dolly Freidel and Michaela Grobbel in Windows Media Player
- Dolly Freidel, Geography
Barbara Kingsolver's "Prodigal Summer"
Michaela Grobbel, Modern Languages and Literatures
Goethe's "Erlkönig:" Encountering the Uncanny
Oct. 19 2005 View Archive: Suzanne Tocyzski and Tony Mountain in Windows Media Player
- Suzanne Tocyzski, Modern Languages and Literatures
The Little Prince by Antoine de Saint - Exupery
- Tony Mountain, Hutchins
Albert Camus' The Stranger and The Plague.
Oct. 26 2005 View Archive: Richard Senghas and Michael Schwager in Windows Media Player
- Richard Senghas, Anthropology
- Michael Schwager, Art History
"An Encounter with Greatness: Guernica at MoMA"
Provost’s Lecture Series - Schulz 3001
Highlighting student, faculty, and staff research projects.
Wednesday, February 11, Noon & 7:00 p.m.
Scott Miller, Writing Center
“Did Frodo Fail?” The Lord of the Rings in Print and on Film
Wednesday, February 18, Noon
Alexandra von Meier, Environmental Studies
The Electric Grid: A Social Contract Revisited
Wednesday, February 25, Noon
Mike Ezra, AMCS
Muhammad Ali’s Main Bout: Black Economic Nationalism, the Vietnam War, and Professional Boxing
Wednesday, March 3, Noon
David Walls, Sociology
Head Start and the War on Poverty
Wednesday, March 17, Noon
Karin Enstam, Anthropology
Wildlife, Weather Extremes, and Wildfires: Stories of Hardship and Perseverance in the African Bush
Wednesday, March 24, Noon
Anne Goldman, English
Dreaming of Childhood: Exilic Storytelling
Wednesday, April 14, Noon
Ross Meentemeyer, Geography; Hall Cushman, Biology; Nathan Rank, Biology; Richard
Whitkus, Biology; David Rizzo, UC Davis, Plant Pathology
Sudden Oak Death: Research and Management of Disease Spread in Sonoma County
Wednesday, April 21, Noon
Mark Kearley, Chemistry and Carmen Works, Chemistry
The Chemistry of Alcohol in the Liver/The Chemistry of Metals in Biological Systems
Wednesday, April 28, Noon
Marco Calavita, Communication Studies
Apprehending Politics: News Media and Individual Political Development in Contemporary America
Public Lectures and Readings
Monday, April 19, 26 Noon - University Library Art Gallery
National Poetry Month featuring SSU poets
April 13, 15, 20, 22, 27, 29 Noon - Schulz 3001
SSU Author Readings -A collaboration between the SSU Bookstore and the University Library
Jennifer Shaw, Art History
Peter Phillips, Sociology/Director of Project Censored
Elizabeth Martinez, Modern Languages
William Babula, Arts & Humanities
Adrian Praetzellis, Anthropology
Gerald Haslam, Author
Jonah Raskin, Communications Studies
Sherril Jaffe, English
Michaela Grobbel, Modern Languages